Professor Stephen Hoskins Academic CV
Career History
2003 Appointed Professor and Hewlett Packard Chair of Fine Print, UWE
2001 Appointed University Business Fellow, UWE 2000 Reader, UWE
2000 Principal Lecturer, UWE 1998 Director Centre for Fine print Research
1997 Senior Research Fellow, UWE 1994 Research Fellow, UWE
1989 – 2003 Bath College of Higher Education, Lecturer, Ceramics BA Hons. (P/Time)
1989 -1997 School of Art and Design Queens Road (Filton College) .5 lecturer in Printmaking
1988 – 2002 Bath College of Higher Education Lecturer, Graphics BA. Hons (P/Time)
1988 – 1992 PCL. Harrow, Lecturer, Illustration BA. Hons (P/Time)
1981-1988 Director/Partner Dido Editions and Self Employed Master Printer
Qualifications
1978 – 1981 MA Printmaking, Royal College of Art
1974 – 1977 BA (Hons) Fine Art Printmaking, West Surrey College of Art and Design
1973 – 1974 Southampton College of Art
Awards
2015 Re-Distributed Manufacturing and the Resilient, Sustainable City, EPSRC Network (Co-investigator) £491,658
2015 Knowledge Transfer Partnership Grant: Denby Holdings Ltd/ Burgess and Leigh Ltd £160,000
2014 Bristol and Bath By Design, AHRC/Design Council Grant(Principal Investigator) £586,837
2014 HC 3D Printed Ceramic Spin Out Company, AHRC Follow-onFunding for Impact & Engagement (Principal Investigator) £23,948
2012 Combining digital print technologies with 18th Centur underglaze ceramic printing to retain a industrial heritageprocess, AHRC Follow-on Grant (Principal Investigator) £95,937
2012 Can Egyptian Paste Techniques (Faience) Be Used For 3DPrinted, Solid Free-form Fabrication of Ceramics? AHRC Research Grant (Principal Investigator) £321,969
2011 Knowledge Transfer Partnership Grant: Renishaw £180,000
2011 Solid Free-form Fabrication in Fired Ceramic as a Design Aid for Concept Modelling in the Ceramic Industry, AHRC Follow-on Grant (Principal Investigator) £97,861
2010 Newby Trust Award £10,000
2010 Hewlett Packard Chair of Fine Print. Awarded further Five Years £40,000
2009 Knowledge Transfer Partnership Grant: Dycem £127,000 2007 The Fabrication of 3D Art and Craft Artefacts through Virtual Digital Construction and Output, AHRC Research Grants (Principal Investigator) £280,734
2006 Knowledge Transfer Partnership Grant: Ringway Group £102,000
2005 Network for Design TCS Promotion in collaboration with University of Central England, Robert Gordon University and University of Belfast, AHRC Network Grants (Co-investigator) £30,000
2004 A Digital Archive of the 19th Century Woodburytype and its Working Practice, AHRC Research Grant £5,000
2004 Investigation into alternative colour in wide format printing for artists and designers, Hewlett Packard Research Award £80,000
2003 Hewlett Packard Chair of Fine Print £40,000 2003 Hewlett Packard Invent European Art and Science Philanthropy Funding £80,000
2003 Methodologies for the integration of fine art practice and wide format digital printing, AHRC Research Grant (Principal Investigator) £236,670
2003 KTP Award for best transfer of Technology funded by DTI
2001 Knowledge Transfer Partnership Grant: John Purcell Paper £87,000
2001 What constitutes a reproduction in the 20th century, through the 19th century Collotype process? AHRC Research Grant (Principal Investigator) £5,000
2000 A practical re-appraisal of continuous tone photo-relief printing for ceramics and alternative substrates, AHRC Research Grant (Principal Investigator) £180,000
2000 Reappraising the creative potential of underglaze ceramic transfer printing in the light of new technology, AHRC Research Grant (Principal Investigator) £5,000
2000 Knowledge Transfer Partnership Grant: Cranfield Colours £76,000
1999 An investigation into what constitutes a reproduction in the 20th Century, through the 19th Century collotype process, AHRC Research Grant (Principal Investigator) £132,000
1999 The artist’s book in ‘Process’ – a critical analysis on the making of an artist’s book, AHRC Research Grant (Principal Investigator) £4,800 1999 Indigenous printmaking – a survey of adaptable technology for printmakers, AHRC Research Grant (Principal Investigator) £4,800
1989 Royal Society of Painter Printmakers
Patents
3D Ceramic Product and Process. PCT International, PCT/GB2011/051069
Novel methods of water based screenprinted ceramic transfers. PCT International, WO 9855327
Printer with substrate registration means, Patent number: WO 2005002863, 2004
Conferences and Symposia Organised
2014 Beyond Blue, V&A London
2012 Towards a New Ceramic Future, V&A, London
2009 3D Print Symposium, UWE, Chair
2007 Bristol, One day symposia demonstrating the intangible benefits of KTP for the University partner
2007 Committed to Print Symposia, Royal West of England Academy, Bristol, Chair
2004 2nd International Collotype Conference, UWE Bristol, Chair
1999 to present Chair and founder of the IMPACT International Multidisciplinary Printmaking Conference.
1999 IMPACT 1Bristol, 2001 IMPACT 2 Helsinki,
2003 IMPACT 3 Michelis School of Art, University of Cape Town,
2005 KONTAKT/IMPACT4 Poznan, Poland and Berlin, Germany,
2007 IMPACT 5 TallinnEstonia,
2009 IMPACT 6 UWE, Bristol,
2011 IMPACT 7 Monash University, Australia,
2013 IMPACT 8 University of Dundee,
2015 IMPACT 9 China Academy of Art, Hangzhou
PhD Supervision
Xavier Aure, commenced October 2014. Thesis title: 2.5D and3D image capture and print in the cultural heritage field. Funded by AHRC Collaborative Doctoral Award with the National Gallery
Peter McCallion, commenced October 2012. Thesis title: The development of methods for the reproduction of texture in digitally printed artworks.
Melissa Olen, commenced September 2012. Thesis title: Next Generation Multi-Channel Printing. Funded by Marie Curie Initial Training Networks.
Katie Vaughan, commenced September 2012. Thesis title: Can Egyptian Paste Techniques (Faience) Be Used For 3D Printed,Solid Free-form Fabrication of Ceramics? Funded by AHRC.
Peter Moseley, commenced October 2010. Thesis title: Photographic portraiture and the meaning and crafting of style: the aesthetics and syntax of photomechanical processes for the production of continuous-tone fine-prints.
Abdul Riezal Dim, commenced November 2008. Thesis title: Colour temperatures comparison between four season and tropical country: the enhancement of better quality film/HD video
Brendan Reid, completed 2011. Thesis title: Can current rapid prototyping technologies be used for rapid manufacture of bespoke artefacts in a broader fine art context. Funded by AHRC.
Abdul Hakim Onitolo, completed 2009. Thesis title: The interaction of content and visual physiognomy.
Eric Crouch, completed 2005. Thesis title: Novel water-based carbon inks for application in screen-printed biosensors.
Cecilia Mandrile, completed 2004. Thesis title: The Translation of Fragments : A dialogue between photography and displacement in the practice of selected Latin American emigrant artists.
Andrew Atkinson, completed 2004. Thesis title: The Creationof Digital Photographic Fine Art Print through the Woodburytype Model.
Angela Brown, completed Mphil, 2004. Thesis title: Inks for the Fine Art Printmaker: A system and methodology for thedevelopment testing and manufacture of printing inks for the Fine Art Market.
Paul Thirkell, completed 2000. Thesis title: The integration of digital imaging techniques with 19th Centurycontinuous tone printing processes.
Kevin Petrie, completed 1999. Thesis title: Water-based ceramic transfer printing – The development and creative use of a new on-glaze screenprinting system.
External Examiner
PhDs: University of the Arts 2011, Staffordshire University2006, University of Brighton 2005, London Institute 2003, University of Ulster 2003 2009-14 External examiner BA (Hons) Design and Colour Technology, University of Leeds 2007-2010 External examiner MA Fine Art Printmaking Camberwell School of Art, UAL 2007 Course Validation BA Hons Colour and Design Universityof Leeds 2002 External advisor to Fine Art Unitisation programme. University of Southampton 2001 Course validation Postgraduate Printmaking London Print Studio/University of Brighton 2000/ 2003 External examiner BA Hons Fine Art Printmaking. University of Southampton
Membership of Professional Bodies and External Committees
2015-18 Member of AHRC Advisory Board
2015 Jury member Krakow Print Biennale
2012 Member of expert advisory group, University Alliance DSTEM project
2010 Advisor ‘Philigraphica’, International Print Biennale Philadelphia
2009 Steering committee member, Newcastle Print Biennale
2007 Elected Member of the Royal West of England Academy
2005-2008 Member of AHRC Peer Review College and panel member for PhD Block Grant in
2008 2003-18 Elected Board Member Association of European Printing Museums as educational advisor and UK representative. Chair of AGM in 2008, President 2010-12
2003 Elected Vice President Royal Society of Painter Printmakers
1999 Appointed member editorial board of Printmaking Today
1995 Elected to Council of Royal Society of Painter Printmakers
Books
Hoskins Stephen 2018 3D printing for Artists, Designers andMakers Second Edition ISBN:978-1-4742-4667-9 Bloomsbury Academic
Hoskins Stephen 2013 3D printing for Artists, Designers andMakers ISBN:978-1408-17379-4 Bloomsbury Academic
Hoskins Stephen 2014 ‘L’impression 3D pour artistes, designers et créateurs’(French edition), ISBN: 2501096851 Marabout
Hoskins Stephen 2004 Ink ISBN 07-136-63413 A&C Black London128pp Allen and Unwin 2005 (Australian Edition) Hoskins Stephen
2003 ‘Water based Screenprinting’.ISBN 7-5386-1471-O/J.178. A&C Black London 112pp Chinese edition
Hoskins Stephen 2002 ‘Siebdruck mit wasserrloslichen FarbenISBN 3-258-06424-5 . Haupt. Bern; Stuttgart; Wein 112pp Hoskins Stephen
2001 ‘Water based Screenprinting’.ISBN 0-7136-5036-2. A&C Black. London 112pp
Conference Papers
2014 Underglaze Tissue Printing for Ceramic Artists, a Collaborative Project to Re-appraise 19th Century Printing Skills Stephen Hoskins *, David Huson Key Engineering Materials Vol. 608 (2014) pp 335-340 © (2014) Trans Tech Publications, Switzerland (PDF)
3D Printed Ceramics for Tableware, Artists/Designers and Specialist Applications. David Huson, Stephen Hoskins. Key Engineering Materials Vol. 608 (2014) pp 351-357 © (2014) Trans Tech Publications, Switzerland (PDF) ‘
A Very English Process, Underglaze tissue printing for ceramic artists, a collaborative project to reappraise 19thCentury printing skills’ NCECA 2014, 48TH Annual ConferenceMilwaukee, USA 19-22 March 2014
‘A Very English Process, Underglaze tissue printing for ceramic artists, a collaborative project to reappraise 19thCentury printing skills’ IMPACT 8 Dundee, August 2013
‘Continuous Tone Colour Printing in Two and a Half Dimensions through a Combination of 19th Century Analogue Methodologies and 3D printing’ NIP 29 conference, Society for Imaging Science and Technology, Seattle, USA 29 September – 3 October 2013
‘Novel Ceramic Materials and 3D Printing Applications’ Hoskins, S. TCT Additive Manufacturing & 3D Printing Conference, 29th September, 2012
Hoskins, S. Huson, D. Digital Engagement 2011 (the Digital Economy All Hands Meeting), 15-17 November 2011 , Newcastle-upon-Tyne, UK.
‘Is Artmaking Sustainable?’ SGC Conference, Sam Fox School of Design, University of Washington, St Louis, MO. Panel chair and co-author: John Risseeuw, Professor of Art, ArizonaState University.
2011 Invited speaker ‘Collection of today – Towards a critical evaluation of your collections’, Association of European Printing Museums AEPM, Wadgassen, Germany
2010 Invited speaker‘Future of Manual Printmaking in the UK’, Symposium, Curwen Print Study Centre, Cambridge.
2010 Invited speaker ‘Unique Reproduction – Definitions of Original Printmaking in a Digital Age’, Symposium, SeacourtPrint studio, The University of Ulster, Belfast.
2010 ‘The collaborative print studio within a Higher EducationalInstitution and its relationship to the art marketplace’, Higher Education and the Creative Economy Conference, University of Southampton. Co-author Paul Laidler.
December 2009The Margins of Art Practice Bordering on Industrial Development International Conference on Innovation through Knowledge Transfer, Hampton Court PalaceLondon. September 2009
Is Artmaking Sustainable? IMPACT VI conference September 2009, panel 5 Print in the Social Sphere, with John Risseeuw, Professor of Art, Arizona State University
August 2009Is Artmaking Sustainable? 32ndannual Southwest Arts Conference, Phoenix USA on the theme “Safety/Sustainability/The Future is No Accident” with John Risseeuw, Professor of Art, Arizona State University
March 2009 Printmaking with Extreme Technology Global Implications 2009 Southern Graphics Council Conference Chicago, USA. January 2009
Pictorial Information as Transcribed by the Artist or DesignerElectronic Imaging Science and Technology Conference, Color Imaging XIV: Displaying, Processing, Hardcopy, and Applications, Dark Side of Color panel, San Jose, California, USA September 2007
Developments in the Digital Production of High Quality Original Art: A Case Study (Focal Paper) IS&T NIP 23 International Conference on Digital Printing Technologies Anchorage Alaska. Also invited Session Chair for Digital Art
October 2007 Panel Chair IMPACT 5 ‘Slices in Time” Kumu ArtMuseum, Tallinn Estonia
October 2007 Plenery Session Member IMPACT 5 ‘Slices in Time” Kumu Art Museum, Tallinn Estonia April 2006
From Bash Street to Duchamp, reproduction and originality using digitally created content Institute of Physics Conference with Sophia Fairclough and Caroline Harrison, independent paper conservators September 2006
Digitally Print technologies and their relation to Vitreous Enamel on metal for the visual artist.Stephen Hoskins, Elizabeth Turrell. Paper for IS&T Conference NIP22 International Conference on Digital Technologies Denver Colorado September 2006
The diversity of digital print technologies used in the creation of high quality Fine Art. Paper for IS&T Conference NIP22 International Conference on Digital Technologies Denver Colorado February 2005
The digital collotype atelier.Conference Paper 2ndInternational Collotype Conference UWE Bristol September 2005
Plenary session panel Member. KONTAKT/IMPACT4 International Printmaking Conference Poznan, Poland and Berlin, Germany January 2003
The relevance of 19thcentury continuous tone photomechanical printing techniques to digitally generated imagery. Stephen Hoskins, Paul Thirkell IS&T SPIE Electronic Imaging Conference Santa Clara California March 2003
Continuous tone digital output using archivally proven printing methods and materials. Stephen Hoskins PaulThirkell. Preservation and conservation issues relating to digital printing, Institute of Physics congress, Edinburgh,Scotland April 2003
Questions of authenticity, geopolitical division,and production in the laser print era; Southern Graphics Council Conference. Boston Mass. USA May 2003‘
A Reassessment of Past Colour Collotype Printing Achievements as a Model for Current Digital, Archival Printing Practice’ Paul Thirkell, Stephen Hoskins. PICS Conference Rochester New York State June 2003
‘ A Perpetual Portfolio’ Hewlett Packard European Art and Science Philanthropy Conference. Florence Italy August 2003
‘From Conflict to Conduit Print or Printmaking’IMPACT 3 Micheles School of Art University of Capetown South Africa September 2002
Specialist artists paper for wide format printing. Hewlett Packard European Art and Science Philanthropy Conference. Paphos Cyprus September 2002
Water based screenprinted ceramic transfers. 4 One day Seminars, Aki. Enschade. Holland. To 112 Staff from Dutch and German Universities March 2001
The margins of Printmaking practise bordering on industrial development. Paper 28thSouthern Graphics Councilconference. University of Austin Texas May 2001
Printmaking from the margins. Panel Chair. Cortona printmaking conference. University of Georgia. Cortona. Italy September 2001
Academic Research within an arts based printmaking environment. In-Print Seminar. Ferens Art Gallery Hull. Panel Member October 2001
New methods of Ceramic Print from both digitaland Autographic Processes. Paper. IMPACT 2 University of Helsinki. Finland November 2001
The Impact of Paper on Ink: The Photomechanical Printer’s Perspective Carinna Parraman, Stephen Hoskins. IS&T 9th Color Imaging Conference – Color Science, Systems and Application Scottsdale, Arizona, USA March 2000
19th Century continuous tone printing for conserving digital output. Paper 27th Southern Graphics Council Conference. University of Miami. Florida October 2000
The ability of a research centre to develop and sustain a methodology, through the creation of a mixed economy.Paper Exchange 2000 UWE Bristol /Watershed October 2000
The Photomechanical print as a Conservable Output. Carinna Parraman, Stephen Hoskins, Paul Thirkell. Preservation and Conservation Issues Related to Digital Printing, Institute of Physics June 1998
Water based screenprinting. 3 One day Seminars, Aki Enschade. Holland. To 42 Staff from Dutch and German Universities September 1998
The future of Printmaking. Conference Paper 1st South African Printmaking Conference Rhodes University,South Africa September 1998
A global perspective. Panel Chair, 1st SouthAfrican Printmaking Conference, Rhodes University, South Africa October 1998
A lateral approach to industrial liaison Exchange Conference. Research in Art and Design UWE, Bristol March 1997
Water based screenprinting. 24th Southern Graphics Council Conference, GraphicStudio, University of Southern Florida.Tampa.